1767-1824 French Anne Louis Girodet Trioson Galleries Girodet was born at Montargis. He lost his parents in early youth and the care of his inheritance and education fell to his guardian, M. Trioson, "medecin-de-mesdames," by whom he was in later life adopted and whose surname he took in 1812. He started in school by studying architecture and pursuing a military career. He later changed to the study of painting under a painter named Luquin, before entering the school of David. From 1789 to 1793 he lived in Italy where, at the age of twenty-two, he successfully competed for the Prix de Rome thus making a name for himself for his painting of the Story of Joseph and his Brethren. At Rome he painted his Hippocrate refusant les presents d'Artaxerxes and Endymion-dormant (presently held in the Louvre), work which was praised at the Salon of 1793.  Related Paintings of Anne-Louis Girodet-Trioson :. | The Sleep of Endymion (mk05) | Madeomiselle Lange as Danae | The Burial of Atala | Self Portrait | Endymion Asleep |
Related Artists:
Jan van Huijsum
also spelled Huijsum, (April 15, 1682, Amsterdam - February 8, 1749, Amsterdam) was a Dutch painter. He was the brother of Jacob van Huysum, the son of the flower painter Justus van Huysum, and the grandson of Jan van Huysum I, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.
RAEBURN, Sir Henry
Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh
Johann Ernst Heinsius
German, 1740-1812